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Devil's Ford Bret Harte

Chapter II


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"It's just as well you shouldn't," said Christie shortly, whose ideas of a general classical impropriety had been gathered from pages of Lempriere's dictionary. "Put it back directly."

Jessie returned certain odes of one Horatius Flaccus to the corner, and uttered an exclamation. "Oh, Christie! here are some letters tied up with a ribbon."

They were two or three prettily written letters, exhaling a faint odor of refinement and of the pressed flowers that peeped from between the loose leaves. "I see, 'My darling Fairfax.' It's from some woman."

"I don't think much of her, whosoever she is," said Christie, tossing the intact packet back into the corner.

"Nor I," echoed Jessie.

Nevertheless, by some feminine inconsistency, evidently the circumstance did make them think more of HIM, for a minute later, when they had reentered their own room, Christie remarked, "The idea of petting a man by his family name! Think of mamma ever having called papa 'darling Carr'!"

"Oh, but his family name isn't Fairfax," said Jessie hastily; "that's his FIRST name, his Christian name. I forget what's his other name, but nobody ever calls him by it."

"Do you mean," said Christie, with glistening eyes and awful deliberation--"do you mean to say that we're expected to fall in with this insufferable familiarity? I suppose they'll be calling US by our Christian names next."

"Oh, but they do!" said Jessie, mischievously.

"What!"

"They call me Miss Jessie; and Kearney, the little one, asked me if Christie played."

"And what did you say?"

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"I said that you did," answered Jessie, with an affectation of cherubic simplicity. "You do, dear; don't you? . . . There, don't get angry, darling; I couldn't flare up all of a sudden in the face of that poor little creature; he looked so absurd--and so--so honest."

Christie turned away, relapsing into her old resigned manner, and assuming her household duties in a quiet, temporizing way that was, however, without hope or expectation.

Mr. Carr, who had dined with his friends under the excuse of not adding to the awkwardness of the first day's housekeeping returned late at night with a mass of papers and drawings, into which he afterwards withdrew, but not until he had delivered himself of a mysterious package entrusted to him by the young men for his daughters. It contained a contribution to their board in the shape of a silver spoon and battered silver mug, which Jessie chose to facetiously consider as an affecting reminiscence of the youthful Kearney's christening days--which it probably was.

The young girls retired early to their white snow-drifts: Jessie not without some hilarious struggles with hers, in which she was, however, quickly surprised by the deep and refreshing sleep of youth; Christie to lie awake and listen to the night wind, that had changed from the first cool whispers of sunset to the sturdy breath of the mountain. At times the frail house shook and trembled. Wandering gusts laden with the deep resinous odors of the wood found their way through the imperfect jointure of the two cabins, swept her cheek and even stirred her long, wide-open lashes. A broken spray of pine needles rustled along the roof, or a pine cone dropped with a quick reverberating tap-tap that for an instant startled her. Lying thus, wide awake, she fell into a dreamy reminiscence of the past, hearing snatches of old melody in the moving pines, fragments of sentences, old words, and familiar epithets in the murmuring wind at her ear, and even the faint breath of long-forgotten kisses on her cheek. She remembered her mother--a pallid creature, who had slowly faded out of one of her father's vague speculations in a vaguer speculation of her own, beyond his ken--whose place she had promised to take at her father's side. The words, "Watch over him, Christie; he needs a woman's care," again echoed in her ears, as if borne on the night wind from the lonely grave in the lonelier cemetery by the distant sea. She had devoted herself to him with some little sacrifices of self, only remembered now for their uselessness in saving her father the disappointment that sprang from his sanguine and one-idea'd temperament. She thought of him lying asleep in the other room, ready on the morrow to devote those fateful qualities to the new enterprise that with equally fateful disposition she believed would end in failure. It did not occur to her that the doubts of her own practical nature were almost as dangerous and illogical as his enthusiasm, and that for that reason she was fast losing what little influence she possessed over him. With the example of her mother's weakness before her eyes, she had become an unsparing and distrustful critic, with the sole effect of awakening his distrust and withdrawing his confidence from her.

 
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Devil's Ford
Bret Harte

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