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Part II Fyodor Dostoevsky

Chapter VIII


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Table Of Contents: Notes from the Underground

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When I reached that thought I fired up all at once.

"Why dishonest? How dishonest? I was speaking sincerely last night. I remember there was real feeling in me, too. What I wanted was to excite an honourable feeling in her .... Her crying was a good thing, it will have a good effect."

Yet I could not feel at ease. All that evening, even when I had come back home, even after nine o'clock, when I calculated that Liza could not possibly come, still she haunted me, and what was worse, she came back to my mind always in the same position. One moment out of all that had happened last night stood vividly before my imagination; the moment when I struck a match and saw her pale, distorted face, with its look of torture. And what a pitiful, what an unnatural, what a distorted smile she had at that moment! But I did not know then, that fifteen years later I should still in my imagination see Liza, always with the pitiful, distorted, inappropriate smile which was on her face at that minute.

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Next day I was ready again to look upon it all as nonsense, due to over-excited nerves, and, above all, as EXAGGERATED. I was always conscious of that weak point of mine, and sometimes very much afraid of it. "I exaggerate everything, that is where I go wrong," I repeated to myself every hour. But, however, "Liza will very likely come all the same," was the refrain with which all my reflections ended. I was so uneasy that I sometimes flew into a fury: "She'll come, she is certain to come!" I cried, running about the room, "if not today, she will come tomorrow; she'll find me out! The damnable romanticism of these pure hearts! Oh, the vileness--oh, the silliness--oh, the stupidity of these 'wretched sentimental souls!' Why, how fail to understand? How could one fail to understand? ..."

But at this point I stopped short, and in great confusion, indeed.

And how few, how few words, I thought, in passing, were needed; how little of the idyllic (and affectedly, bookishly, artificially idyllic too) had sufficed to turn a whole human life at once according to my will. That's virginity, to be sure! Freshness of soil!

At times a thought occurred to me, to go to her, "to tell her all," and beg her not to come to me. But this thought stirred such wrath in me that I believed I should have crushed that "damned" Liza if she had chanced to be near me at the time. I should have insulted her, have spat at her, have turned her out, have struck her!

One day passed, however, another and another; she did not come and I began to grow calmer. I felt particularly bold and cheerful after nine o'clock, I even sometimes began dreaming, and rather sweetly: I, for instance, became the salvation of Liza, simply through her coming to me and my talking to her .... I develop her, educate her. Finally, I notice that she loves me, loves me passionately. I pretend not to understand (I don't know, however, why I pretend, just for effect, perhaps). At last all confusion, transfigured, trembling and sobbing, she flings herself at my feet and says that I am her saviour, and that she loves me better than anything in the world. I am amazed, but .... "Liza," I say, "can you imagine that I have not noticed your love? I saw it all, I divined it, but I did not dare to approach you first, because I had an influence over you and was afraid that you would force yourself, from gratitude, to respond to my love, would try to rouse in your heart a feeling which was perhaps absent, and I did not wish that ... because it would be tyranny ... it would be indelicate (in short, I launch off at that point into European, inexplicably lofty subtleties a la George Sand), but now, now you are mine, you are my creation, you are pure, you are good, you are my noble wife.

 
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Notes from the Underground
Fyodor Dostoevsky

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