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The Altar of the Dead Henry James

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It was doubtless the voice of Mary Antrim that spoke for them best; as the years at any rate went by he found himself in regular communion with these postponed pensioners, those whom indeed he always called in his thoughts the Others. He spared them the moments, he organised the charity. Quite how it had risen he probably never could have told you, but what came to pass was that an altar, such as was after all within everybody's compass, lighted with perpetual candles and dedicated to these secret rites, reared itself in his spiritual spaces. He had wondered of old, in some embarrassment, whether he had a religion; being very sure, and not a little content, that he hadn't at all events the religion some of the people he had known wanted him to have. Gradually this question was straightened out for him: it became clear to him that the religion instilled by his earliest consciousness had been simply the religion of the Dead. It suited his inclination, it satisfied his spirit, it gave employment to his piety. It answered his love of great offices, of a solemn and splendid ritual; for no shrine could be more bedecked and no ceremonial more stately than those to which his worship was attached. He had no imagination about these things but that they were accessible to any one who should feel the need of them. The poorest could build such temples of the spirit - could make them blaze with candles and smoke with incense, make them flush with pictures and flowers. The cost, in the common phrase, of keeping them up fell wholly on the generous heart.

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The Altar of the Dead
Henry James

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