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Part III Jack London

The Outcast


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Furthermore, it was remarkably easy to overthrow a dog taken by surprise; while a dog, thus overthrown, invariably exposed for a moment the soft underside of its neck - the vulnerable point at which to strike for its life. White Fang knew this point. It was a knowledge bequeathed to him directly from the hunting generation of wolves. So it was that White Fang's method when he took the offensive, was: first to find a young dog alone; second, to surprise it and knock it off its feet; and third, to drive in with his teeth at the soft throat.

Being but partly grown his jaws had not yet become large enough nor strong enough to make his throat-attack deadly; but many a young dog went around camp with a lacerated throat in token of White Fang's intention. And one day, catching one of his enemies alone on the edge of the woods, he managed, by repeatedly overthrowing him and attacking the throat, to cut the great vein and let out the life. There was a great row that night. He had been observed, the news had been carried to the dead dog's master, the squaws remembered all the instances of stolen meat, and Grey Beaver was beset by many angry voices. But he resolutely held the door of his tepee, inside which he had placed the culprit, and refused to permit the vengeance for which his tribespeople clamoured.

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White Fang became hated by man and dog. During this period of his development he never knew a moment's security. The tooth of every dog was against him, the hand of every man. He was greeted with snarls by his kind, with curses and stones by his gods. He lived tensely. He was always keyed up, alert for attack, wary of being attacked, with an eye for sudden and unexpected missiles, prepared to act precipitately and coolly, to leap in with a flash of teeth, or to leap away with a menacing snarl.

As for snarling he could snarl more terribly than any dog, young or old, in camp. The intent of the snarl is to warn or frighten, and judgment is required to know when it should be used. White Fang knew how to make it and when to make it. Into his snarl he incorporated all that was vicious, malignant, and horrible. With nose serrulated by continuous spasms, hair bristling in recurrent waves, tongue whipping out like a red snake and whipping back again, ears flattened down, eyes gleaming hatred, lips wrinkled back, and fangs exposed and dripping, he could compel a pause on the part of almost any assailant. A temporary pause, when taken off his guard, gave him the vital moment in which to think and determine his action. But often a pause so gained lengthened out until it evolved into a complete cessation from the attack. And before more than one of the grown dogs White Fang's snarl enabled him to beat an honourable retreat.

An outcast himself from the pack of the part-grown dogs, his sanguinary methods and remarkable efficiency made the pack pay for its persecution of him. Not permitted himself to run with the pack, the curious state of affairs obtained that no member of the pack could run outside the pack. White Fang would not permit it. What of his bushwhacking and waylaying tactics, the young dogs were afraid to run by themselves. With the exception of Lip-lip, they were compelled to hunch together for mutual protection against the terrible enemy they had made. A puppy alone by the river bank meant a puppy dead or a puppy that aroused the camp with its shrill pain and terror as it fled back from the wolf-cub that had waylaid it.

 
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White Fang
Jack London

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