Part I.

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It was at the opening of the Royal Scottish Academy in the spring of 1879. My poor friend was passionately attached to art in every form, and a pleasing chord in music or a delicate effect upon canvas would give exquisite pleasure to his highly-strung nature. We had gone together to see the pictures, and were standing in the grand central salon, when I noticed an extremely beautiful woman standing at the other side of the room. In my whole life I have never seen such a classically perfect countenance. It was the real Greek type--the forehead broad, very low, and as white as marble, with a cloudlet of delicate locks wreathing round it, the nose straight and clean cut, the lips inclined to thinness, the chin and lower jaw beautifully rounded off, and yet sufficiently developed to promise unusual strength of character.

But those eyes--those wonderful eyes! If I could but give some faint idea of their varying moods, their steely hardness, their feminine softness, their power of command, their penetrating intensity suddenly melting away into an expression of womanly weakness--but I am speaking now of future impressions!

There was a tall, yellow-haired young man with this lady, whom I at once recognised as a law student with whom I had a slight acquaintance.

Archibald Reeves--for that was his name--was a dashing, handsome young fellow, and had at one time been a ringleader in every university escapade; but of late I had seen little of him, and the report was that he was engaged to be married. His companion was, then, I presumed, his fiancee. I seated myself upon the velvet settee in the centre of the room, and furtively watched the couple from behind my catalogue.

The more I looked at her the more her beauty grew upon me. She was somewhat short in stature, it is true; but her figure was perfection, and she bore herself in such a fashion that it was only by actual comparison that one would have known her to be under the medium height.

As I kept my eyes upon them, Reeves was called away for some reason, and the young lady was left alone. Turning her back to the pictures, she passed the time until the return of her escort in taking a deliberate survey of the company, without paying the least heed to the fact that a dozen pair of eyes, attracted by her elegance and beauty, were bent curiously upon her. With one of her hands holding the red silk cord which railed off the pictures, she stood languidly moving her eyes from face to face with as little self-consciousness as if she were looking at the canvas creatures behind her. Suddenly, as I watched her, I saw her gaze become fixed, and, as it were, intense. I followed the direction of her looks, wondering what could have attracted her so strongly.

John Barrington Cowles was standing before a picture--one, I think, by Noel Paton--I know that the subject was a noble and ethereal one. His profile was turned towards us, and never have I seen him to such advantage. I have said that he was a strikingly handsome man, but at that moment he looked absolutely magnificent. It was evident that he had momentarily forgotten his surroundings, and that his whole soul was in sympathy with the picture before him. His eyes sparkled, and a dusky pink shone through his clear olive cheeks. She continued to watch him fixedly, with a look of interest upon her face, until he came out of his reverie with a start, and turned abruptly round, so that his gaze met hers. She glanced away at once, but his eyes remained fixed upon her for some moments. The picture was forgotten already, and his soul had come down to earth once more.