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The Touchstone Edith Wharton

Chapter I


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"Come and hear Dinslow talk about his patent: admission free," one of the men sang out in a tone of mock resignation.

Dinslow turned to Glennard the confident pugnacity of his smile. "Give it another six months and it'll be talking about itself," he declared. "It's pretty nearly articulate now."

"Can it say papa?" someone else inquired.

Dinslow's smile broadened. "You'll be deuced glad to say papa to IT a year from now," he retorted. "It'll be able to support even you in affluence. Look here, now, just let me explain to you--"

Glennard moved away impatiently. The men at the club--all but those who were "in it"--were proverbially "tired" of Dinslow's patent, and none more so than Glennard, whose knowledge of its merits made it loom large in the depressing catalogue of lost opportunities. The relations between the two men had always been friendly, and Dinslow's urgent offers to "take him in on the ground floor" had of late intensified Glennard's sense of his own inability to meet good luck half way. Some of the men who had paused to listen were already in evening clothes, others on their way home to dress; and Glennard, with an accustomed twinge of humiliation, said to himself that if he lingered among them it was in the miserable hope that one of the number might ask him to dine. Miss Trent had told him that she was to go to the opera that evening with her rich aunt; and if he should have the luck to pick up a dinner-invitation he might join her there without extra outlay.

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He moved about the room, lingering here and there in a tentative affectation of interest; but though the men greeted him pleasantly no one asked him to dine. Doubtless they were all engaged, these men who could afford to pay for their dinners, who did not have to hunt for invitations as a beggar rummages for a crust in an ash-barrel! But no--as Hollingsworth left the lessening circle about the table an admiring youth called out--"Holly, stop and dine!"

Hollingsworth turned on him the crude countenance that looked like the wrong side of a more finished face. "Sorry I can't. I'm in for a beastly banquet."

Glennard threw himself into an arm-chair. Why go home in the rain to dress? It was folly to take a cab to the opera, it was worse folly to go there at all. His perpetual meetings with Alexa Trent were as unfair to the girl as they were unnerving to himself. Since he couldn't marry her, it was time to stand aside and give a better man the chance--and his thought admitted the ironical implication that in the terms of expediency the phrase might stand for Hollingsworth.

 
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The Touchstone
Edith Wharton

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