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A Dark Night's Work Elizabeth Gaskell

Chapter XII


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Meanwhile, the entire change of scene brought on the exquisite refreshment of entire change of thought. Ellinor had not been able so completely to forget her past life for many years; it was like a renewing of her youth; cut so suddenly short by the shears of Fate. Ever since that night, she had had to rouse herself on awakening in the morning into a full comprehension of the great cause she had for much fear and heavy grief. Now, when she wakened in her little room, fourth piano, No. 36, Babuino, she saw the strange, pretty things around her, and her mind went off into pleasant wonder and conjecture, happy recollections of the day before, and pleasant anticipations of the day to come. Latent in Ellinor was her father's artistic temperament; everything new and strange was a picture and a delight; the merest group in the street, a Roman facchino, with his cloak draped over his shoulder, a girl going to market or carrying her pitcher back from the fountain, everything and every person that presented it or himself to her senses, gave them a delicious shock, as if it were something strangely familiar from Pinelli, but unseen by her mortal eyes before. She forgot her despondency, her ill-health disappeared as if by magic; the Misses Forbes, who had taken the pensive, drooping invalid as a companion out of kindness of heart, found themselves amply rewarded by the sight of her amended health, and her keen enjoyment of everything, and the half-quaint, half naive expressions of her pleasure.

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So March came round; Lent was late that year. The great nosegays of violets and camellias were for sale at the corner of the Condotti, and the revellers had no difficulty in procuring much rarer flowers for the belles of the Corso. The embassies had their balconies; the attaches of the Russian Embassy threw their light and lovely presents at every pretty girl, or suspicion of a pretty girl, who passed slowly in her carriage, covered over with her white domino, and holding her wire mask as a protection to her face from the showers of lime confetti, which otherwise would have been enough to blind her; Mrs. Forbes had her own hired balcony, as became a wealthy and respectable Englishwoman. The girls had a great basket full of bouquets with which to pelt their friends in the crowd below; a store of moccoletti lay piled on the table behind, for it was the last day of Carnival, and as soon as dusk came on the tapers were to be lighted, to be as quickly extinguished by every means in everyone's power. The crowd below was at its wildest pitch; the rows of stately contadini alone sitting immovable as their possible ancestors, the senators who received Brennus and his Gauls. Masks and white dominoes, foreign gentlemen, and the riffraff of the city, slow-driving carriages, showers of flowers, most of them faded by this time, everyone shouting and struggling at that wild pitch of excitement which may so soon turn into fury. The Forbes girls had given place at the window to their mother and Ellinor, who were gazing half amused, half terrified, at the mad parti-coloured movement below; when a familiar face looked up, smiling a recognition; and "How shall I get to you?" was asked in English, by the well-known voice of Canon Livingstone. They saw him disappear under the balcony on which they were standing, but it was some time before he made his appearance in their room. And when he did, he was almost overpowered with greetings; so glad were they to see an East Chester face.

 
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A Dark Night's Work
Elizabeth Gaskell

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