Chapter I

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"Monsieur ne se trouve pas bien?" he said anxiously.

"I'm tired of waiting, Pierre," I said, as distinctly and emphatically as I could, like a man determined to be sober in spite of wine; "I'm afraid something has happened to my father--he's usually so punctual. Run to the Hotel des Bergues and see if he is there."

Pierre left the room at once, with a soothing "Bien, Monsieur"; and I felt the better for this scene of simple, waking prose. Seeking to calm myself still further, I went into my bedroom, adjoining the salon, and opened a case of eau-de-Cologne; took out a bottle; went through the process of taking out the cork very neatly, and then rubbed the reviving spirit over my hands and forehead, and under my nostrils, drawing a new delight from the scent because I had procured it by slow details of labour, and by no strange sudden madness. Already I had begun to taste something of the horror that belongs to the lot of a human being whose nature is not adjusted to simple human conditions.

Still enjoying the scent, I returned to the salon, but it was not unoccupied, as it had been before I left it. In front of the Chinese folding-screen there was my father, with Mrs. Filmore on his right hand, and on his left--the slim, blond-haired girl, with the keen face and the keen eyes fixed on me in half-smiling curiosity.

"Well, Latimer, you thought me long," my father said . . .

I heard no more, felt no more, till I became conscious that I was lying with my head low on the sofa, Pierre, and my father by my side. As soon as I was thoroughly revived, my father left the room, and presently returned, saying -

"I've been to tell the ladies how you are, Latimer. They were waiting in the next room. We shall put off our shopping expedition to-day."

Presently he said, "That young lady is Bertha Grant, Mrs. Filmore's orphan niece. Filmore has adopted her, and she lives with them, so you will have her for a neighbour when we go home--perhaps for a near relation; for there is a tenderness between her and Alfred, I suspect, and I should be gratified by the match, since Filmore means to provide for her in every way as if she were his daughter. It had not occurred to me that you knew nothing about her living with the Filmores."

He made no further allusion to the fact of my having fainted at the moment of seeing her, and I would not for the world have told him the reason: I shrank from the idea of disclosing to any one what might be regarded as a pitiable peculiarity, most of all from betraying it to my father, who would have suspected my sanity ever after.

I do not mean to dwell with particularity on the details of my experience. I have described these two cases at length, because they had definite, clearly traceable results in my after-lot.

Shortly after this last occurrence--I think the very next day--I began to be aware of a phase in my abnormal sensibility, to which, from the languid and slight nature of my intercourse with others since my illness, I had not been alive before. This was the obtrusion on my mind of the mental process going forward in first one person, and then another, with whom I happened to be in contact: the vagrant, frivolous ideas and emotions of some uninteresting acquaintance--Mrs. Filmore, for example--would force themselves on my consciousness like an importunate, ill-played musical instrument, or the loud activity of an imprisoned insect. But this unpleasant sensibility was fitful, and left me moments of rest, when the souls of my companions were once more shut out from me, and I felt a relief such as silence brings to wearied nerves. I might have believed this importunate insight to be merely a diseased activity of the imagination, but that my prevision of incalculable words and actions proved it to have a fixed relation to the mental process in other minds. But this superadded consciousness, wearying and annoying enough when it urged on me the trivial experience of indifferent people, became an intense pain and grief when it seemed to be opening to me the souls of those who were in a close relation to me--when the rational talk, the graceful attentions, the wittily-turned phrases, and the kindly deeds, which used to make the web of their characters, were seen as if thrust asunder by a microscopic vision, that showed all the intermediate frivolities, all the suppressed egoism, all the struggling chaos of puerilities, meanness, vague capricious memories, and indolent make-shift thoughts, from which human words and deeds emerge like leaflets covering a fermenting heap.