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The Man Who Knew Too Much Gilbert K. Chesterton

VIII. The Vengeance Of The Statue


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March and Fisher both had motor bicycles; and the first half of their day's journey consisted in coasting eastward amid the unconversational noise of those uncomfortable engines. But when they came out beyond Canterbury into the flats of eastern Kent, Fisher stopped at a pleasant little public house beside a sleepy stream; and they sat down to cat and to drink and to speak almost for the first time. It was a brilliant afternoon, birds were singing in the wood behind, and the sun shone full on their ale bench and table; but the face of Fisher in the strong sunlight had a gravity never seen on it before.

"Before we go any farther," he said, "there is something you ought to know. You and I have seen some mysterious things and got to the bottom of them before now; and it's only right that you should get to the bottom of this one. But in dealing with the death of my uncle I must begin at the other end from where our old detective yarns began. I will give you the steps of deduction presently, if you want to listen to them; but I did not reach the truth of this by steps of deduction. I will first of all tell you the truth itself, because I knew the truth from the first. The other cases I approached from the outside, but in this case I was inside. I myself was the very core and center of everything."

Something in the speaker's pendent eyelids and grave gray eyes suddenly shook March to his foundations; and he cried, distractedly, "I don't understand!" as men do when they fear that they do understand. There was no sound for a space but the happy chatter of the birds, and then Horne Fisher said, calmly:

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"It was I who killed my uncle. If you particularly want more, it was I who stole the state papers from him."

"Fisher!" cried his friend in a strangled voice.

"Let me tell you the whole thing before we part," continued the other, "and let me put it, for the sake of clearness, as we used to put our old problems. Now there are two things that are puzzling people about that problem, aren't there? The first is how the murderer managed to slip off the dead man's coat, when he was already pinned to the ground with that stone incubus. The other, which is much smaller and less puzzling, is the fact of the sword that cut his throat being slightly stained at the point, instead of a good deal more stained at the edge. Well, I can dispose of the first question easily. Horne Hewitt took off his own coat before he was killed. I might say he took off his coat to be killed."

"Do you call that an explanation?" exclaimed March. "The words seem more meaningless, than the facts."

"Well, let us go on to the other facts," continued Fisher, equably. "The reason that particular sword is not stained at the edge with Hewitt's blood is that it was not used to kill Hewitt.

"But the doctor," protested March, "declared distinctly that the wound was made by that particular sword."

 
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The Man Who Knew Too Much
Gilbert K. Chesterton

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