VII. The Temple Of Silence

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With that he turned his back, evidently resolved to say no more, and walked past the temple to the extreme end of the islet, where he stood staring into the water. Fisher followed him, but, when his repeated questions evoked no answer, turned back toward the shore. In doing so he took a second and closer look at the artificial temple, and noted some curious things about it. Most of these theatrical things were as thin as theatrical scenery, and he expected the classic shrine to be a shallow thing, a mere shell or mask. But there was some substantial bulk of it behind, buried in the trees, which had a gray, labyrinthian look, like serpents of stone, and lifted a load of leafy towers to the sky. But what arrested Fisher's eye was that in this bulk of gray-white stone behind there was a single door with great, rusty bolts outside; the bolts, however, were not shot across so as to secure it. Then he walked round the small building, and found no other opening except one small grating like a ventilator, high up in the wall. He retraced his steps thoughtfully along the causeway to the banks of the lake, and sat down on the stone steps between the two sculptured funeral urns. Then he lit a cigarette and smoked it in ruminant manner; eventually he took out a notebook and wrote down various phrases, numbering and renumbering them till they stood in the following order: "(1) Squire Hawker disliked his first wife. (2) He married his second wife for her money. (3) Long Adam says the estate is really his. (4) Long Adam hangs round the island temple, which looks like a prison. (5) Squire Hawker was not poor when he gave up the estate. (6) Verner was poor when he got the estate."

He gazed at these notes with a gravity which gradually turned to a hard smile, threw away his cigarette, and resumed his search for a short cut to the great house. He soon picked up the path which, winding among clipped hedges and flower beds, brought him in front of its long Palladian facade. It had the usual appearance of being, not a private house, but a sort of public building sent into exile in the provinces.

He first found himself in the presence of the butler, who really looked much older than the building, for the architecture was dated as Georgian; but the man's face, under a highly unnatural brown wig, was wrinkled with what might have been centuries. Only his prominent eyes were alive and alert, as if with protest. Fisher glanced at him, and then stopped and said:

"Excuse me. Weren't you with the late squire, Mr. Hawker?"

'Yes, sir, said the man, gravely. "Usher is my name. What can I do for you?"

"Only take me into Sir Francis Verner," replied the visitor.

Sir Francis Verner was sitting in an easy chair beside a small table in a large room hung with tapestries. On the table were a small flask and glass, with the green glimmer of a liqueur and a cup of black coffee. He was clad in a quiet gray suit with a moderately harmonious purple tie; but Fisher saw something about the turn of his fair mustache and the lie of his flat hair--it suddenly revealed that his name was Franz Werner.