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The Man Who Was Thursday Gilbert K. Chesterton

The Exposure


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A barrel-organ in the street suddenly sprang with a jerk into a jovial tune. Syme stood up taut, as if it had been a bugle before the battle. He found himself filled with a supernatural courage that came from nowhere. That jingling music seemed full of the vivacity, the vulgarity, and the irrational valour of the poor, who in all those unclean streets were all clinging to the decencies and the charities of Christendom. His youthful prank of being a policeman had faded from his mind; he did not think of himself as the representative of the corps of gentlemen turned into fancy constables, or of the old eccentric who lived in the dark room. But he did feel himself as the ambassador of all these common and kindly people in the street, who every day marched into battle to the music of the barrel-organ. And this high pride in being human had lifted him unaccountably to an infinite height above the monstrous men around him. For an instant, at least, he looked down upon all their sprawling eccentricities from the starry pinnacle of the commonplace. He felt towards them all that unconscious and elementary superiority that a brave man feels over powerful beasts or a wise man over powerful errors. He knew that he had neither the intellectual nor the physical strength of President Sunday; but in that moment he minded it no more than the fact that he had not the muscles of a tiger or a horn on his nose like a rhinoceros. All was swallowed up in an ultimate certainty that the President was wrong and that the barrel-organ was right. There clanged in his mind that unanswerable and terrible truism in the song of Roland--

"Pagens ont tort et Chretiens ont droit."

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which in the old nasal French has the clang and groan of great iron. This liberation of his spirit from the load of his weakness went with a quite clear decision to embrace death. If the people of the barrel-organ could keep their old-world obligations, so could he. This very pride in keeping his word was that he was keeping it to miscreants. It was his last triumph over these lunatics to go down into their dark room and die for something that they could not even understand. The barrel-organ seemed to give the marching tune with the energy and the mingled noises of a whole orchestra; and he could hear deep and rolling, under all the trumpets of the pride of life, the drums of the pride of death.

The conspirators were already filing through the open window and into the rooms behind. Syme went last, outwardly calm, but with all his brain and body throbbing with romantic rhythm. The President led them down an irregular side stair, such as might be used by servants, and into a dim, cold, empty room, with a table and benches, like an abandoned boardroom. When they were all in, he closed and locked the door.

The first to speak was Gogol, the irreconcilable, who seemed bursting with inarticulate grievance.

"Zso! Zso!" he cried, with an obscure excitement, his heavy Polish accent becoming almost impenetrable. "You zay you nod 'ide. You zay you show himselves. It is all nuzzinks. Ven you vant talk importance you run yourselves in a dark box!"

 
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The Man Who Was Thursday
Gilbert K. Chesterton

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