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  9. The Last Days Of Sir Richmond Hardy H. G. [Herbert George] Wells

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Lady Hardy arrived home in response to Dr. Martineau's telegram late on the following evening. He was with her next morning, comforting and sympathetic. Her big blue eyes, bright with tears, met his very wistfully; her little body seemed very small and pathetic in its simple black dress. And yet there was a sort of bravery about her. When he came into the drawing-room she was in one of the window recesses talking to a serious-looking woman of the dressmaker type. She left her business at once to come to him. "Why did I not know in time?" she cried.

"No one, dear lady, had any idea until late last night," he said, taking both her hands in his for a long friendly sympathetic pressure.

"I might have known that if it had been possible you would have told me," she said.

"You know," she added, "I don't believe it yet. I don't realize it. I go about these formalities--"

"I think I can understand that."

"He was always, you know, not quite here . . . . It is as if he were a little more not quite here . . . . I can't believe it is over. . . . "

She asked a number of questions and took the doctor's advice upon various details of the arrangements. "My daughter Helen comes home to-morrow afternoon," she explained. "She is in Paris. But our son is far, far away in the Punjab. I have sent him a telegram. . . . It is so kind of you to come in to me."

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Dr. Martineau went more than half way to meet Lady Hardy's disposition to treat him as a friend of the family. He had conceived a curious, half maternal affection for Sir Richmond that had survived even the trying incident of the Salisbury parting and revived very rapidly during the last few weeks. This affection extended itself now to Lady Hardy. Hers was a type that had always appealed to him. He could understand so well the perplexed loyalty with which she was now setting herself to gather together some preservative and reassuring evidences of this man who had always been; as she put it, "never quite here." It was as if she felt that now it was at last possible to make a definite reality of him. He could be fixed. And as he was fixed he would stay. Never more would he be able to come in and with an almost expressionless glance wither the interpretation she had imposed upon him. She was finding much comfort in this task of reconstruction. She had gathered together in the drawingroom every presentable portrait she had been able to find of him. He had never, she said, sat to a painter, but there was an early pencil sketch done within a couple of years of their marriage; there was a number of photographs, several of which--she wanted the doctor's advice upon this point--she thought might be enlarged; there was a statuette done by some woman artist who had once beguiled him into a sitting. There was also a painting she had had worked up from a photograph and some notes. She flitted among these memorials, going from one to the other, undecided which to make the standard portrait. " That painting, I think, is most like," she said: "as he was before the war. But the war and the Commission changed him,-- worried him and aged him. . . . I grudged him to that Commission. He let it worry him frightfully."

 
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The Secret Places of the Heart
H. G. [Herbert George] Wells

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