XXVI. THE SURBITON INTERLUDE

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And here, thanks to the glorious institution of sleep, comes a break in the narrative again. These absurd young people are safely tucked away now, their heads full of glowing nonsense, indeed, but the course of events at any rate is safe from any fresh developments through their activities for the next eight hours or more. They are both sleeping healthily you will perhaps be astonished to hear. Here is the girl--what girls are coming to nowadays only Mrs. Lynn Linton can tell!--in company with an absolute stranger, of low extraction and uncertain accent, unchaperoned and unabashed; indeed, now she fancies she is safe, she is, if anything, a little proud of her own share in these transactions. Then this Mr. Hoopdriver of yours, roseate idiot that he is! is in illegal possession of a stolen bicycle, a stolen young lady, and two stolen names, established with them in an hotel that is quite beyond his means, and immensely proud of himself in a somnolent way for these incomparable follies. There are occasions when a moralising novelist can merely wring his hands and leave matters to take their course. For all Hoopdriver knows or cares he may be locked up the very first thing to-morrow morning for the rape of the cycle. Then in Bognor, let alone that melancholy vestige, Bechamel (with whom our dealings are, thank Goodness! over), there is a Coffee Tavern with a steak Mr. Hoopdriver ordered, done to a cinder long ago, his American-cloth parcel in a bedroom, and his own proper bicycle, by way of guarantee, carefully locked up in the hayloft. To-morrow he will be a Mystery, and they will be looking for his body along the sea front. And so far we have never given a glance at the desolate home in Surbiton, familiar to you no doubt through the medium of illustrated interviews, where the unhappy stepmother--

That stepmother, it must be explained, is quite well known to you. That is a little surprise I have prepared for you. She is 'Thomas Plantagenet,' the gifted authoress of that witty and daring book, "A Soul Untrammelled," and quite an excellent woman in her way,--only it is such a crooked way. Her real name is Milton. She is a widow and a charming one, only ten years older than Jessie, and she is always careful to dedicate her more daring works to the 'sacred memory of my husband' to show that there's nothing personal, you know, in the matter. Considering her literary reputation (she was always speaking of herself as one I martyred for truth,' because the critics advertised her written indecorums in column long 'slates'),--considering her literary reputation, I say, she was one of the most respectable women it is possible to imagine. She furnished correctly, dressed correctly, had severe notions of whom she might meet, went to church, and even at times took the sacrament in some esoteric spirit. And Jessie she brought up so carefully that she never even let her read "A Soul Untrammelled." Which, therefore, naturally enough, Jessie did, and went on from that to a feast of advanced literature. Mrs. Milton not only brought up Jessie carefully, but very slowly, so that at seventeen she was still a clever schoolgirl (as you have seen her) and quite in the background of the little literary circle of unimportant celebrities which 'Thomas Plantagenet' adorned. Mrs. Milton knew Bechamel's reputation of being a dangerous man; but then bad men are not bad women, and she let him come to her house to show she was not afraid--she took no account of Jessie. When the elopement came, therefore, it was a double disappointment to her, for she perceived his hand by a kind of instinct. She did the correct thing. The correct thing, as you know, is to take hansom cabs, regardless of expense, and weep and say you do not know WHAT to do, round the circle of your confidential friends. She could not have ridden nor wept more had Jessie been her own daughter--she showed the properest spirit. And she not only showed it, but felt it.