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Chapter I.


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"I am working for the Revolution."

It takes money to raise a modern revolution. and always the Junta was pressed. The members starved and toiled, and the longest day was none too long, and yet there were times when it appeared as if the Revolution stood or fell on no more than the matter of a few dollars. Once, the first time, when the rent of the house was two months behind and the landlord was threatening dispossession, it was Felipe Rivera, the scrub-boy in the poor, cheap clothes, worn and threadbare, who laid sixty dollars in gold on May Sethby's desk. There were other times. Three hundred letters, clicked out on the busy typewriters (appeals for assistance, for sanctions from the organized labor groups, requests for square news deals to the editors of newspapers, protests against the high-handed treatment of revolutionists by the United States courts), lay unmailed, awaiting postage. Vera's watch had disappeared--the old-fashioned gold repeater that had been his father's. Likewise had gone the plain gold band from May Setbby's third finger. Things were desperate. Ramos and Arrellano pulled their long mustaches in despair. The letters must go off, and the Post Office allowed no credit to purchasers of stamps. Then it was that Rivera put on his hat and went out. When he came back he laid a thousand two-cent stamps on May Sethby's desk.

"I wonder if it is the cursed gold of Diaz?" said Vera to the comrades.

They elevated their brows and could not decide. And Felipe Rivera, the scrubber for the Revolution, continued, as occasion arose, to lay down gold and silver for the Junta's use.

And still they could not bring themselves to like him. They did not know him. His ways were not theirs. He gave no confidences. He repelled all probing. Youth that he was, they could never nerve themselves to dare to question him.

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"A great and lonely spirit, perhaps, I do not know, I do not know," Arrellano said helplessly.

"He is not human," said Ramos.

"His soul has been seared," said May Sethby. "Light and laughter have been burned out of him. He is like one dead, and yet he is fearfully alive."

"He has been through hell," said Vera. "No man could look like that who has not been through hell--and he is only a boy."

Yet they could not like him. He never talked, never inquired, never suggested. He would stand listening, expressionless, a thing dead, save for his eyes, coldly burning, while their talk of the Revolution ran high and warm. From face to face and speaker to speaker his eyes would turn, boring like gimlets of incandescent ice, disconcerting and perturbing.

"He is no spy," Vera confided to May Sethby. "He is a patriot--mark me, the greatest patriot of us all. I know it, I feel it, here in my heart and head I feel it. But him I know not at all."

"He has a bad temper," said May Sethby.

"I know," said Vera, with a shudder. "He has looked at me with those eyes of his. They do not love; they threaten; they are savage as a wild tiger's. I know, if I should prove unfaithful to the Cause, that he would kill me. He has no heart. He is pitiless as steel, keen and cold as frost. He is like moonshine in a winter night when a man freezes to death on some lonely mountain top. I am not afraid of Diaz and all his killers; but this boy, of him am I afraid. I tell you true. I am afraid. He is the breath of death."

 
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The Night-Born
Jack London

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