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Mosses From An Old Manse Nathaniel Hawthorne

Egotism; or, The Bosom Serpent


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"Whence came this strange calamity?" inquired the sculptor.

"My sable friend Scipio has a story," replied Roderick, "of a snake that had lurked in this fountain--pure and innocent as it looks--ever since it was known to the first settlers. This insinuating personage once crept into the vitals of my great grandfather and dwelt there many years, tormenting the old gentleman beyond mortal endurance. In short it is a family peculiarity. But, to tell you the truth, I have no faith in this idea of the snake's being an heirloom. He is my own snake, and no man's else."

"But what was his origin?" demanded Herkimer.

"Oh, there is poisonous stuff in any man's heart sufficient to generate a brood of serpents," said Elliston with a hollow laugh. "You should have heard my homilies to the good town's-people. Positively, I deem myself fortunate in having bred but a single serpent. You, however, have none in your bosom, and therefore cannot sympathize with the rest of the world. It gnaws me! It gnaws me!"

With this exclamation Roderick lost his self-control and threw himself upon the grass, testifying his agony by intricate writhings, in which Herkimer could not but fancy a resemblance to the motions of a snake. Then, likewise, was heard that frightful hiss, which often ran through the sufferer's speech, and crept between the words and syllables without interrupting their succession.

"This is awful indeed!" exclaimed the sculptor--"an awful infliction, whether it be actual or imaginary. Tell me, Roderick Elliston, is there any remedy for this loathsome evil?"

"Yes, but an impossible one," muttered Roderick, as he lay wallowing with his face in the grass. "Could I for one moment forget myself, the serpent might not abide within me. It is my diseased self-contemplation that has engendered and nourished him."

"Then forget yourself, my husband," said a gentle voice above him; "forget yourself in the idea of another!"

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Rosina had emerged from the arbor, and was bending over him with the shadow of his anguish reflected in her countenance, yet so mingled with hope and unselfish love that all anguish seemed but an earthly shadow and a dream. She touched Roderick with her hand. A tremor shivered through his frame. At that moment, if report be trustworthy, the sculptor beheld a waving motion through the grass, and heard a tinkling sound, as if something had plunged into the fountain. Be the truth as it might, it is certain that Roderick Elliston sat up like a man renewed, restored to his right mind, and rescued from the fiend which had so miserably overcome him in the battle-field of his own breast.

"Rosina!" cried he, in broken and passionate tones, but with nothing of the wild wail that had haunted his voice so long, "forgive! forgive!"

Her happy tears bedewed his face.

"The punishment has been severe," observed the sculptor. "Even Justice might now forgive; how much more a woman's tenderness! Roderick Elliston, whether the serpent was a physical reptile, or whether the morbidness of your nature suggested that symbol to your fancy, the moral of the story is not the less true and strong. A tremendous Egotism, manifesting itself in your case in the form of jealousy, is as fearful a fiend as ever stole into the human heart. Can a breast, where it has dwelt so long, be purified?"

 
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Mosses From An Old Manse
Nathaniel Hawthorne

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