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Mosses From An Old Manse Nathaniel Hawthorne

The Procession of Life


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Yet the longer I reflect the less am I satisfied with the idea of forming a separate class of mankind on the basis of high intellectual power. At best it is but a higher development of innate gifts common to all. Perhaps, moreover, he whose genius appears deepest and truest excels his fellows in nothing save the knack of expression; he throws out occasionally a lucky hint at truths of which every human soul is profoundly, though unutterably, conscious. Therefore, though we suffer the brotherhood of intellect to march onward together, it may be doubted whether their peculiar relation will not begin to vanish as soon as the procession shall have passed beyond the circle of this present world. But we do not classify for eternity.

And next, let the trumpet pour forth a funereal wail, and the herald's voice give breath in one vast cry to all the groans and grievous utterances that are audible throughout the earth. We appeal now to the sacred bond of sorrow, and summon the great multitude who labor under similar afflictions to take their places in the march.

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How many a heart that would have been insensible to any other call has responded to the doleful accents of that voice! It has gone far and wide, and high and low, and left scarcely a mortal roof unvisited. Indeed, the principle is only too universal for our purpose, and, unless we limit it, will quite break up our classification of mankind, and convert the whole procession into a funeral train. We will therefore be at some pains to discriminate. Here comes a lonely rich man: he has built a noble fabric for his dwelling-house, with a front of stately architecture and marble floors and doors of precious woods; the whole structure is as beautiful as a dream and as substantial as the native rock. But the visionary shapes of a long posterity, for whose home this mansion was intended, have faded into nothingness since the death of the founder's only son. The rich man gives a glance at his sable garb in one of the splendid mirrors of his drawing-room, and descending a flight of lofty steps instinctively offers his arm to yonder poverty stricken widow in the rusty black bonnet, and with a check apron over her patched gown. The sailor boy, who was her sole earthly stay, was washed overboard in a late tempest. This couple from the palace and the almshouse are but the types of thousands more who represent the dark tragedy of life and seldom quarrel for the upper parts. Grief is such a leveller, with its own dignity and its own humility, that the noble and the peasant, the beggar and the monarch, will waive their pretensions to external rank without the officiousness of interference on our part. If pride--the influence of the world's false distinctions--remain in the heart, then sorrow lacks the earnestness which makes it holy and reverend. It loses its reality and becomes a miserable shadow. On this ground we have an opportunity to assign over multitudes who would willingly claim places here to other parts of the procession. If the mourner have anything dearer than his grief he must seek his true position elsewhere. There are so many unsubstantial sorrows which the necessity of our mortal state begets on idleness, that an observer, casting aside sentiment, is sometimes led to question whether there be any real woe, except absolute physical suffering and the loss of closest friends. A crowd who exhibit what they deem to be broken hearts--and among them many lovelorn maids and bachelors, and men of disappointed ambition in arts or politics, and the poor who were once rich, or who have sought to be rich in vain--the great majority of these may ask admittance into some other fraternity. There is no room here. Perhaps we may institute a separate class where such unfortunates will naturally fall into the procession. Meanwhile let them stand aside and patiently await their time.

 
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Mosses From An Old Manse
Nathaniel Hawthorne

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