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The Return of Dr. Fu-Manchu Sax Rohmer

The Samurai's Sword


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So we stood in that untidy studio, with canvases and easels heaped against the wall and with all sorts of litter about us, a trio strangely met, and one to have amused the high gods watching through the windows of the stars.

"Go back!" came in a whisper from Karamaneh.

I saw the red lips moving and read a dreadful horror in the widely opened eyes, in those eyes like pools of mystery to taunt the thirsty soul. The world of realities was slipping past me; I seemed to be losing my hold on things actual; I had built up an Eastern palace about myself and Karamaneh wherein, the world shut out, I might pass the hours in reading the mystery of those dark eyes. Nayland Smith brought me sharply to my senses.

"Steady with the light, Petrie!" he hissed in my, ear. "My skepticism has been shaken, to-night, but I am taking no chances."

He moved from my side and forward toward that lovely, unreal figure which stood immediately before the model's throne and its background of plush curtains. Karamaneh started forward to meet him, suppressing a little cry, whose real anguish could not have been simulated.

"Go back! go back!" she whispered urgently, and thrust out her hands against Smith's breast. "For God's sake, go back! I have risked my life to come here to-night. He knows, and is ready!". . .

The words were spoken with passionate intensity, and Nayland Smith hesitated. To my nostrils was wafted that faint, delightful perfume which, since one night, two years ago, it had come to disturb my senses, had taunted me many times as the mirage taunts the parched Sahara traveler. I took a step forward.

"Don't move!" snapped Smith.

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Karamaneh clutched frenziedly at the lapels of his coat.

"Listen to me!" she said, beseechingly and stamped one little foot upon the floor--"listen to me! You are a clever man, but you know nothing of a woman's heart--nothing--nothing--if seeing me, hearing me, knowing, as you do know, I risk, you can doubt that I speak the truth. And I tell you that it is death to go behind those curtains-- that he . . ."

"That's what I wanted to know!" snapped Smith. His voice quivered with excitement.

Suddenly grasping Karamaneh by the waist, he lifted her and set her aside; then in three bounds he was on to the model's throne and had torn the Plush curtains bodily from their fastenings.

How it occurred I cannot hope to make dear, for here my recollections merge into a chaos. I know that Smith seemed to topple forward amid the purple billows of velvet, and his muffled cry came to me:

"Petrie! My God, Petrie!" . . .

The pale face of Karamaneh looked up into mine and her hands were clutching me, but the glamour of her personality had lost its hold, for I knew--heavens, how poignantly it struck home to me!--that Nayland Smith was gone to his death. What I hoped to achieve, I know not, but hurling the trembling girl aside, I snatched the Browning pistol from my coat pocket, and with the ray of the lamp directed upon the purple mound of velvet, I leaped forward.

 
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The Return of Dr. Fu-Manchu
Sax Rohmer

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