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Oldport Days Thomas Wentworth Higginson

Footpaths


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I recall another footpath near Worcester, Massachusetts; it leads up from the low meadows into the wildest region of all that vicinity, Tatesset Hill. Leaving behind you the open pastures where the cattle lie beneath the chestnut-trees or drink from the shallow brook, you pass among the birches and maples, where the woodsman's shanty stands in the clearing, and the raspberry-fields are merry with children's voices. The familiar birds and butterflies linger below with them, and in the upper and more sacred depths the wood-thrush chants his litany and the brown mountain butterflies hover among the scented vines. Higher yet rises the "Rattlesnake Ledge," spreading over one side of the summit a black avalanche of broken rock, now overgrown with reindeer-moss and filled with tufts of the smaller wild geranium. Just below this ledge,--amid a dark, dense track of second-growth forest, masked here and there with grape-vines, studded with rare orchises, and pierced by a brook that vanishes suddenly where the ground sinks away and lets the blue distance in,--there is a little monument to which the footpath leads, and which always seemed to me as wild a memorial of forgotten superstition as the traveller can find amid the forests of Japan.

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It was erected by a man called Solomon Pearson (not to give his name too closely), a quiet, thoughtful farmer, long-bearded, low-voiced, and with that aspect of refinement which an ideal life brings forth even in quite uninstructed men. At the height of the "Second Advent" excitement this man resolved to build for himself upon these remote rocks a house which should escape the wrath to come, and should endure even amid a burning and transformed earth. Thinking, as he had once said to me, that, "if the First Dispensation had been strong enough to endure, there would have been no need of a Second," he resolved to build for his part something which should possess permanence at least. And there still remains on that high hillside the small beginning that he made.

There are four low stone walls, three feet thick, built solidly together without cement, and without the trace of tools. The end-walls are nine feet high (the sides being lower) and are firmly united by a strong iron ridge-pole, perhaps fifteen feet long, which is imbedded at each end in the stone. Other masses of iron lie around unused, in sheets, bars, and coils, brought with slow labor by the builder from far below. The whole building was designed to be made of stone and iron. It is now covered with creeping vines and the debris of the hillside; but though its construction had been long discontinued when I saw it, the interior was still kept scrupulously clean through the care of this modern Solomon, who often visited his shrine.

An arch in the terminal wall admits the visitor to the small roofless temple, and he sees before him, imbedded in the centre of the floor, a large smooth block of white marble, where the deed of this spot of land was to be recorded, in the hope to preserve it even after the globe should have been burned and renewed. But not a stroke of this inscription was ever cut, and now the young chestnut boughs droop into the uncovered interior, and shy forest-birds sing fearlessly among them, having learned that this house belongs to God, not man. As if to reassure them, and perhaps in allusion to his own vegetarian habits, the architect has spread some rough plaster at the head of the apartment and marked on it in bold characters, "Thou shalt not kill." Two slabs outside, a little way from the walls, bear these inscriptions, "Peace on Earth," "Good-Will to Men." When I visited it, the path was rough and so obstructed with bushes that it was hard to comprehend how it had afforded passage for these various materials; it seemed more as if some strange architectural boulder had drifted from some Runic period and been stranded there. It was as apt a confessional as any of Wordsworth's nooks among the Trossachs; and when one thinks how many men are wearing out their souls in trying to conform to the traditional mythologies of others, it seems nobler in this man to have reared upon that lonely hill the unfinished memorial of his own.

 
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Oldport Days
Thomas Wentworth Higginson

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